SEARCH RESULTS FOR: Spike Hughes
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(Bass, bandleader, critic, 1908–87) As editor for Melody Maker and producer at British Decca, Spike Hughes recorded many dance and novelty sides during 1930–32 but had ambitions in jazz. During a New York visit in 1933 he augmented Benny Carter’s band with Coleman Hawkins and recorded 14 of his own arrangements as Spike Hughes & His Negro ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1902–88) The son of a musician, Eddie James House Jr. was born in Riverton, Mississippi. House was preaching sermons by his mid-teens and travelled widely in the 1920s. He did not learn guitar until the age of 25, but soon thereafter was torn between his faith and his love of the blues. After killing ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

At the beginning of the nineteenth century flutes were made of a wide range of materials. Boxwood instruments were still being made, as they had been in the Baroque era. Increased contact with Africa meant that ebony was also used. Ivory continued to be favoured, but also cocus wood. Brass, silver and pewter were all used for keywork. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

As ensemble music became more popular during the sixteenth century there was increased demand for wind instruments that could elegantly negotiate the lower ranges. Large versions of wind instruments intended for the higher registers lacked volume and agility and were often difficult to play. Various elements of existing instruments – the bass recorder’s crook and the shawm’s double reed, for ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Unusually among musical instruments, a specific date has been posited for the invention of the clarinet. Johann Christoph Denner of Nuremberg has been claimed as the man who, in 1700, devised and built the first of these instruments. Like all the best stories, however, the history of the clarinet is shrouded in mystery. The instrument attributed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Fiddles, generically, are bowed lutes. The term ‘fiddle’ denotes a stringed instrument with a neck, bearing strings that are sounded by the use of friction rather than plucking or striking. Playing the Fiddle In almost all fiddles the world over, friction is provided by a bow strung with rosined horsehair. The hair is tensioned by the springiness ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The gamelan is a percussion ensemble played throughout Indonesia, especially in Bali and Java. A gamelan comprises mainly metallophones, xylophones and gongs. It may also include vocals, the rebab (a two-stringed spike fiddle), the keprak (a slit drum), and the kendhang (a set of three or four double headed, barrel-shaped drums). The kendhang sets the tempo and ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The word ‘lute’ is the collective term for a category of instruments defined as ‘any chordophone having a neck that serves as string bearer, with the plane of the strings running parallel to that of the soundboard’. In other words, the lute is a soundbox with a neck sticking out. The strings of some are plucked, some are ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

To most people, the word ‘zither’ evokes The Third Man film theme and an image of a flat box with a lot of strings. But in organological classification it is a term covering a substantial proportion of the world’s stringed instruments. The technical definition is a little convoluted, but in effect a zither is one or more stretched strings ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

While composing for the Earl of Carnarvon at Cannons, Handel was the musical contributor to a distinguished literary circle including the poets John Gay, Alexander Pope (1688–1744) and John Hughes (1677–1720). It is believed that all three authors contributed to the libretto of Acis and Galatea, which was given a private staged performance that probably required only a ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

If swing in its most characteristic form was a hot and hard-driving music, William ‘Count’ Basie showed that there was a cooler and softer side to the music, an alter ego that even at swift tempos could move with a relaxed, almost serene restraint that subliminally mirrored the streamlined design forms of the Machine Age, in which ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Spring Sweet Children Are Born Billie Joe Armstrong was born on 17 February 1972 in the town of Rodeo in the San Francisco Bay Area. The town was dominated by a vast oil refinery and referred to as ‘Bordeo’ by the local youth. He was the youngest of six children and recorded ‘Look For Love’ aged five, released in a ...

Source: Green Day Revealed, by Ian Shirley

(Guitar, vocals, 1937–97) The Houston guitarist played with bluesman Joe ‘Guitar’ Hughes before forming his own band in the late 1950s. Relocating to New York in 1974, Copeland debuted on Rounder Records with 1977’s Copeland Special. In 1985 he recorded a guitar summit meeting with Albert Collins and Robert Cray (Showdown!) and in 1986 recorded Bringin’ It ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1997–present) Ever since guitarist Dominic Scott left the band in 1999, Keane – Tom Chaplin (vocals), Tom Rice-Oxley (piano, bass) and Richard Hughes (drums) – have taken the unusual route of not replacing him, supplementing their sound instead with piano. The move proved to be a wise one, as the comparatively unique sound they ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The Sons Of The Pioneers are one of the most influential vocal groups in American history – an impeccable hallmark of fluid precision and musical integrity since 1933, universally admired for their tight sound and gorgeous harmonies. The group also boasted two great American songwriters in Tim Spencer and Bob Nolan, and two of the most influential country instrumentalists ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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